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Work: The World in PhotographsWork is a subject that is both worldwide and personal. It is a shared endeavor at the very core of our identity. From the glamour of a Parisian fashion show to the grit of an African diamond mine, there are countless ways to make a living. The book illuminates scores of them—many in never-before-published photographs—offering revealing glimpses into various eras and cultures and engaging the reader with entertaining text and informative captions.
Spanning the world, from Northeast Europe to Southeast Asia, these 260 photos offer a spectacular view of regions of unimaginable, often haunting beauty. Many of the images, from the National Geographic Society's 10 million-image archive, have never been published before. Meditative introductions to each region of the world consider questions such as our stereotypical views of Asia and the ambiguity of evocations of the Middle East, their meaning "depending largely on what one believes."
Landscape: Photographs of Time and PlaceThis unique book begins with a brief look at landscape photography’s rich history, then spotlights a selection of highly personal and conceptual photographs by contemporary masters and emerging artists.
Contributor
The Helsinki School
Photography is one of Finland's most successful cultural exports. Now, for the first time, the internationally acknowledged artists are gathered in this extensive book. Essay by Ferdinand Protzman
The Voices of MarrakeshThe Voices of Marrakesh by Elias Canetti, with an afterword by Ferdinand Protzman, six etchings by William T. Wiley, and 29 photographs by Karl Bissinger.
The MilestonesSix authors in the field of photography -- respected curators, award-winning writers, distinguished university professors -- have been asked to discuss what they regard as the significant accomplishments of National Geographic and place them within the greater context of the history of photography. Protzman wrote the chapters titled, "1971-1990: Realism and Individuality," and "Photographers with an Edge--The Personal Viewpoint." |